Craft in the Real World

Craft in the Real World PDF Author: Matthew Salesses
Publisher: Catapult
ISBN: 1948226812
Category : Self-Help
Languages : en
Pages : 256

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Book Description
"An insightful guide for readers, writers, and instructors from all walks of life," this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling (Kirkus Reviews). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing--including plot, character, conflict, structure, and believability--and aspects of workshop--including the silenced writer and the imagined reader-- Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

Voice First

Voice First PDF Author: Sonya Huber
Publisher: U of Nebraska Press
ISBN: 1496232844
Category : Language Arts & Disciplines
Languages : en
Pages : 249

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Book Description
Though it is foundational to the craft of writing, the concept of voice is a mystery to many authors, and teachers of writing do not have a good working definition of it for use in the classroom. Written to address the vague and problematic advice given to writers to "find their voice," Voice First: A Writer's Manifesto recasts the term in the plural to give writers options, movement, and a way to understand the development of voice over time. By redefining "voice," Sonya Huber offers writers an opportunity not only to engage their voices but to understand and experience how developing their range of voices strengthens their writing. Weaving together in-depth discussions of various concepts of voice and stories from the author's writing life, Voice First offers a personal view of struggles with voice as influenced and shaped by gender, place of origin, privilege, race, ethnicity, and other factors, reframing and updating the conversation for the twenty-first century. Each chapter includes writing prompts and explores a different element of voice, helping writers at all levels stretch their concept of voice and develop a repertoire of voices to summon.

Craft Consciousness and Artistic Practice in Creative Writing

Craft Consciousness and Artistic Practice in Creative Writing PDF Author: Ben Ristow
Publisher: Bloomsbury Publishing
ISBN: 1350120693
Category : Language Arts & Disciplines
Languages : en
Pages : 232

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Book Description
Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word. For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.

Craft Class

Craft Class PDF Author: Christopher Kempf
Publisher: JHU Press
ISBN: 1421443554
Category : Education
Languages : en
Pages : 296

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Book Description
"Uncovering the hidden history of the creative writing "workshop," this book reveals the profound social and economic consequences involved in figurations of literary production as craft labor"--

Code Craft

Code Craft PDF Author: Pete Goodliffe
Publisher: No Starch Press
ISBN: 1593271190
Category : Computers
Languages : en
Pages : 624

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Book Description
A guide to writing computer code covers such topics as variable naming, presentation style, error handling, and security.

Against Creative Writing

Against Creative Writing PDF Author: Andrew Cowan
Publisher: Taylor & Francis
ISBN: 0429951647
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
The rise of Creative Writing has been accompanied from the start by two questions: can it be taught, and should it be taught? This scepticism is sometimes shared even by those who teach it, who often find themselves split between two contradictory identities: the artistic and the academic. Against Creative Writing explores the difference between ‘writing’, which is what writers do, and Creative Writing, which is the instrumentalisation of what writers do. Beginning with the question of whether writing can or ought to be taught, it looks in turn at the justifications for BA, MA, and PhD courses, and concludes with the divided role of the writer who teaches. It argues in favour of Creative Writing as a form of hands-on literary education at undergraduate level and a form of literary apprenticeship at graduate level, especially in widening access to new voices. It argues against those forms of Creative Writing that lose sight of literary values – as seen in the proliferation of curricular couplings with non-literary subjects, or the increasing emphasis on developing skills for future employment. Against Creative Writing, written by a writer, is addressed to other writers, inside or outside the academy, at undergraduate or graduate level, whether ‘creative’ or ‘critical’.

The Bloomsbury Handbook to Cold War Literary Cultures

The Bloomsbury Handbook to Cold War Literary Cultures PDF Author: Greg Barnhisel
Publisher: Bloomsbury Publishing
ISBN: 1350191736
Category : Literary Criticism
Languages : en
Pages : 456

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Book Description
Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishing houses, non-governmental cultural agencies, libraries, and literary magazines as a way to understand works of the period differently. Broad in both their geographical range and the range of writers they cover, the book's essays examine works of mainstream American literary fiction from writers such as Roth, Updike and Faulkner, as well as moving beyond the U.S. and the U.K. to detail how writers and readers from countries including, but not limited to, Taiwan, Japan, Uganda, South Africa, India, Cuba, the USSR, and the Czech Republic engaged with and contributed to Anglo-American literary texts and institutions.

This Creative Life: A Handbook for Writers

This Creative Life: A Handbook for Writers PDF Author: Sara Zarr
Publisher: This Creative Life Books
ISBN:
Category : Self-Help
Languages : en
Pages : 175

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Book Description
There are a lot of books about writing out there. If you're like most writers, you've read them all. But learning how to write (and organize and outline and plot and edit and save the cat and market a breakout book) is one thing. Making and living a sustainable creative life in the face of...everything...is an entirely different matter. To know how to do that, we need to take a look at what goes on between the lines of our lives as writers so that we can live them with maybe a little more thought and intention--no matter the many interior and exterior obstacles that can threaten to derail our purpose. In this companion book to her long-running podcast, Sara Zarr brings her sixteen-year publishing career and experience as a speaker, teacher, and mentor to a conversational and encouraging collection of hard-won insights about what it means not to just write (and perchance to publish), but to be a writer.

Creative Writing Scholars on the Publishing Trade

Creative Writing Scholars on the Publishing Trade PDF Author: Sam Meekings
Publisher: Routledge
ISBN: 1000423050
Category : Literary Criticism
Languages : en
Pages : 192

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Book Description
In Creative Writing Scholars on the Publishing Trade: Practice, Praxis, Print, Sam Meekings and Marshall Moore, along with prominent scholar-practitioners, undertake a critical examination of the intersection of creative writing scholarship and the publishing industry. Recent years have seen dramatic shifts within the publishing industry as well as rapid evolution and development in academic creative writing programs. This book addresses all of these core areas and transformations, such as the pros and cons of self-publishing versus traditional publishing, issues of diversity and representation within the publishing industry, digital transformations, and possible career pathways for writing students. It is crucial for creative writing pedagogy to deal with the issues raised by the sudden changes within the industry and this book will be of interest to creative writing students and practitioners as well as publishing students and professionals.

Your Story Matters

Your Story Matters PDF Author: Nikesh Shukla
Publisher: Pan Macmillan
ISBN: 152905236X
Category : Language Arts & Disciplines
Languages : en
Pages : 224

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Book Description
'Like a best friend giving you essential advice. I can’t wait to give this to every writer I know.' Candice Carty-Williams Why do stories matter? I tell stories to make sense of the world as I see it. The world I have lived and experienced, read about and heard about, and what I want it to be. I tell stories to make sense of myself. Nikesh Shukla, author, writing mentor and bestselling editor of The Good Immigrant, knows better than most the power that every unique voice has to create change. Whether it's a novel, personal essay, non-fiction work or short story – or even just the formless desire to write something – Your Story Matters will hone your skill and help you along the way. This book includes exercises and prompts that will develop your idea, no matter what genre you're writing in. It is practical, to the point and focused on letting you figure out what you want to write, how you want to write and why this is the best use of your voice. Accessible and thought-provoking, Your Story Matters will inspire you to keep thinking about writing, even when you don't have the time to put pen to paper.